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TOENAIL BRUISING AND INJURY

Toenail bruising and injury

Bruising of the toenails is very common. It can occur because of an injury (i.e. dropping something on it) or from repetitive stress to the area. This is frequently occurring in ballet dancers and football players due to the nature of their activities.

When to see a podiatrist?

–          If it causes any pain

–          If the nail breaks, thickens, cracks or lifts from the nail bed

–          If the bruising is not going away

–          If the bruising has defined borders or occurs in a strip

Depending on the presentation and cause for the changes to the nail, the podiatrist may:

–          Cut and file the nail

–          Monitor it for changes

–          Offload the area with paddings and/or orthotics

–          Provide footwear recommendations

–          Activity modifications

 

 

If you are experiencing pain or discomfort, please call us today for an appointment on 5223 1531

 

THIS INFORMATION IS FOR EDUCATIONAL PURPOSES ONLY AND IS NOT INTENDED TO REPLACE PROFESSIONAL PODIATRIC ADVICE. TREATMENT WILL VARY BETWEEN INDIVIDUALS DEPENDING UPON YOUR DIAGNOSIS AND PRESENTING COMPLAINT. AN ACCURATE DIAGNOSIS CAN ONLY BE MADE FOLLOWING PERSONAL CONSULTATION WITH A PODIATRIST.

 

IS YOUR TINY DANCER GOING EN POINTE?

Pre-Pointe Assessment

A specific pre-pointe assessment is recommended before a dancer progresses to pointe work.

The screening will help develop an awareness about correct and incorrect positions which will help the dancer on her/his pathway to going en pointe.

During a pre-pointe assessment, the following is taken into consideration:

  • Foot, ankle and leg strength
  • Joint range
  • Posture and core control
  • Anatomical structure of the foot and compensations
  • Growth and maturity

Once a pre-pointe dancer can correctly perform the assessments, she or he is strong enough to commence pointe work with the guidance from the ballet teacher.
The follow up review helps the dancer improve their strength and mobility for pointe work.

A review every six months is recommended if there are no concerns along the way.

Call our friendly reception team to book your tiny dancer in for a pre-pointe assessment today 5223 1531

STAYING POSITIVE DURING COVID-19

Positive thinking has helped humans overcome so much adversity. Norman Vincent Peale described this phenomenon in 1952 in his well-known book, The Power of Positive Thinking. Since that time, numerous research studies have validated his hypothesis that positive thinking leads to positive outcomes. Being successful while living through this pandemic will require positive thinking. On the flip side, chronic worry will increase cortisol and lower immune functioning making people more vulnerable to the virus and other problems.

Some simple strategies to help guide you through this time

  1. Develop and stick to a routine
  2. Create a structure for you and your family
  3. Start the day with a positive tone – business as usual
  4. Make regular contact with family, friends & neighbours – ensure you set a tone of optimism and hope
  5. Limit intake of news from social media and television
  6. Dont be afraid to ask for help
  7. Practice mindfulness
  8. Focus on self-care – 8hrs of sleep, exercise for a minimum of 20 minutes a day, eat a healthy diet
  9. Appreciate the extra quality family time (and time with your furbabies)
  10. Attempt to overcome any anxiety by using the guiding principles of the four P’s
  • Perspective – our reactions to what is happening are very much in our control and have the ultimate impact on how well we fare through the crisis
  • Purpose – You may feel powerless over the COVID-19 situation, and yet your purpose is to play your part to help contain the virus
  • Positive Thinking – Positive thinking leads to positive outcomes
  • Productivity – Most of us have more time because we are at home more. Be productive by learning a new skill or hobby, clean out your wardrobe and cupboards, plant a veggie garden, tick off your to do list, read a book and most importantly – Enjoy the new time you have for you!

WARNING
THIS INFORMATION IS FOR EDUCATIONAL PURPOSES ONLY AND IS NOT INTENDED TO REPLACE PROFESSIONAL PODIATRIC ADVICE. TREATMENT WILL VARY BETWEEN INDIVIDUALS DEPENDING UPON YOUR DIAGNOSIS AND PRESENTING COMPLAINT. AN ACCURATE DIAGNOSIS CAN ONLY BE MADE FOLLOWING PERSONAL CONSULTATION WITH A PODIATRIST.

DANCE ASSESSMENTS

The Dance Assessment at Total Care Podiatry is designed to help prevent injuries and solve any issues which may be limiting your success in reaching your dance goals.
With her in depth knowledge of structure and function of the foot, our Podiatrist Esther Francavilla ensures she creates the best possible plan for each dancers’ individual needs.

Esther started classical ballet at 5 years of age in Melbourne. She learned the methods of Vaganova, Borovansky and R.A.D. She also learnt other styles such as contemporary, jazz and character to name a few. Esther went on to study for one year at the Victorian College of the Arts. During this time Esther wanted to further her studies and realised how important feet are to dancers! This is what inspired her to study Podiatry.

Since graduating, Esther has combined her passion for podiatry with her knowledge of dance to help young dancers achieve their goals. She prides herself on teaching dancers correct technique to help enhance their capabilities and reduce the risk of injuries.

The Dance Assessment of Foot Function has three steps to success:
1. A thorough Initial consultation to assess and address the dancer’s needs.
2. A tailored treatment plan, that combines the condition, treatment, and prevention as well as educating the dancer along the way.
3. A review plan depending on progress.

Conditions this service treats

• Prevention of injuries
• Understanding the individual’s dancing mindset
• Treating dance injury in accordance with the dancer’s goals
• Ensure the dancer is informed and understands the process so that not only current issues are taken care of, but future injuries will be prevented

How does the treatment work?

Initial assessments can help determine a dancer’s structure as well as current mobility and strength.
Each dancer is different and therefore will be provided with unique feedback and tips to help achieve their goals.
Depending on the style of dance, Esther will customise full injury and rehabilitation programs as part of the return to dance and injury prevention.

What are the benefits of this treatment

There are many contributors to dance injury, including poor technique anatomical anomalies, footwear, and surfaces. Our personalised treatment goals will benefit with assisting in preventing these injuries and provide you with tips and tricks to prevent them from occurring in the future.

Pre-Pointe Assessment

A specific pre-pointe assessment is recommended before a dancer progresses to pointe work.

The screening will help develop an awareness about correct and incorrect positions which will help the dancer on her pathway to going en pointe.

During a pre-pointe assessment, Esther will take the following into consideration

  • Basic Ballet Technique
  • Foot, ankle and leg strength
  • Joint range
  • Posture and core control
  • Anatomical structure of the foot and compensations
  • Growth and maturity

Once a pre-pointe dancer can correctly perform the assessments, she is strong enough to commence pointe work with the guidance of her ballet teacher.
The follow up review helps the dancer improve her strength and mobility for pointe work.

A review every six months is recommended if there are no concerns along the way.

THIS INFORMATION IS FOR EDUCATIONAL PURPOSES ONLY AND IS NOT INTENDED TO REPLACE PROFESSIONAL PODIATRIC ADVICE. TREATMENT WILL VARY BETWEEN INDIVIDUALS DEPENDING UPON YOUR DIAGNOSIS AND PRESENTING COMPLAINT. AN ACCURATE DIAGNOSIS CAN ONLY BE MADE FOLLOWING PERSONAL CONSULTATION WITH A PODIATRIST.